![]() ![]() If you’re planning on adding custom graphics to your videos, Premiere Pro and After Effects is the route you should follow. This is, of course, only if you’re versed in the application. If you consider the abilities of Premiere Pro when you can add in the power of After Effects with dynamic links, it outweighs the others. Basic grades, but also masking certain parts of the frame you want to grade differently, tracking them, and creating a look is far better in DaVinci Resolve than in Premiere Pro or Final Cut. DaVinci Resolve just has so much more to offer. In this way, it’s quite ironic that Apple, the founder of ProRes, has a piece of professional software that’s quite limiting in that regard. If you’re shooting ProRes or raw footage, it’s only as good as the color you can get out of it. It’s what the industry uses to grade big films. ColorĪlthough you have great third-party plugins for Final Cut and Premiere Pro, DaVinci Resolve is the professional staple when color is concerned. What you do with it is add video, audio, text, and effects. You have a timeline, and that’s the focus. The only place where the media and effects come together is during the editing panel, which makes sense. DaVinci Resolve has dedicated panels for media, cutting, editing, color, and effects. Premiere Pro still makes it possible to do color changes while in the editing page, which essentially could deem it useless to switch between. ![]() In my opinion, DaVinci Resolve’s panels are the best for getting started and finishing a project. Premiere Pro and DaVinci Resolve have panels for each part of the video production workflow. It’s not needed all the time, but is useful when going through rushes or putting the rough cut together. In my opinion, the way DaVinci Resolve uses it is justified. DaVinci Resolve does have a magnetic timeline when cutting clips in the Cut panel and then goes into a free timeline in the Edit panel. It’s most likely the way Apple likes to have control of how you work with the application and footage, whereas Premiere Pro and DaVinci Resolve is much more open to your interpretation.įinal Cut’s magnetic timeline is quite troublesome for some, but also the main reason many use the application. You can change it, but the other two import media and keep it in its location by default. The application wants to import all the footage into the library by default, which essentially creates a duplicate of the footage. But, if you don’t make the needed changes before you start editing, your hard drive will fill up quickly. I would say that Final Cut doesn’t intimidate you as much as Premiere Pro or DaVinci Resolve does when opening it up for the first time. It’s quite impressive to think Final Cut is an Apple-produced piece of software, and DaVinci does this by itself. It’s done in the background if you didn’t uncheck the box during import.ĭaVinci Resolve also has this feature, and it is on par with Final Cut here. Proxies need to be generated, but once that’s done, it’s easy to flip between the raw footage and proxy footage in the timeline.įinal Cut does this almost automatically. Premiere Pro requires the most work before you can actually move around the timeline with ease. But, what differs is the speed at which it does this and if your computer can handle what you’ve given it to process. Media is imported, and it’s not hard to get started scrubbing through and moving clips into the position you want. Ease of Use SpeedĮach one of these has a timeline which you edit with. I also consider what each one of these brands stand for, from my personal perspective. Continue reading.Cost is also a factor, so it’s worth knowing what you’ll pay for in the long run, let’s say, for the next 10 years. ![]() Lens Correction as you’ll know from software such as Adobe Lightroom is an extremely useful feature for removing optical distortions including barrel and pincushion distortion. DaVinci Resolve Studio 18 Manually or through image analysis. The free version of DaVinci Resolve has a limitation on resolution and frame rates but these aren’t as bad as you might think and are still much better than many consumer-level video editing programs. DaVinci Resolve Studio 18 Up to 32K at up to 120fps. DaVinci Resolve 18 free Up to 4K at up to 60fps. With the free version of DaVinci Resolve you get all the tools you need to edit your videos with transitions and some Resolve FX/filters available. DaVinci Resolve Studio 18 Advanced professional features available. DaVinci Resolve 18 free Enough features for most enthusiasts. ![]() You may be wondering why we’d begin with cost because one version of Davinci Resolve is free while the other comes at a cost. › buying-guides › davinciDaVinci Resolve 18 free vs Resolve Studio 18 which is the. DaVinci Resolve 18 free vs Resolve Studio 18 which is the. ![]()
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